I recently came across an illustration I did for a story about a frightened little girl who seeks an audience with Queen Amygdala, the part of the limbic system in the brain that decodes emotions like anxiety and fear—neuroscientists call it the body’s alarm circuit. It seems our collective amygdalas are working overtime these days, thanks to the garish rhetoric of the Trumps and the Seehofers and the Ortegas who embolden those who thrive on a generalized sense of perceived insecurity. German has a good word for this rhetorical style: Rabulistik. The “rabulist” uses self-serving, petty, often circular arguments to obfuscate the truth. This makes it hard work to engage them in constructive debate. Rabulists come in every stripe. Terms like “right” or “left” just play into their hands.
In my story, the girl manages to conquer her fear by finding her way into the rational part of her brain. Right now I'm not feeling too hopeful about our ability to do so.
I paint and write and live mostly in a country of my own making. I've shown my work at cafés and galleries in the US, Spain, France and Germany. Among my children's books are El Loro Tico Tango (The Parrot Tico Tango), El Fandango de Lola (Lola's Fandango), both published by Barefoot Books, and the stories for the Tikitiklip Precolombino series of children's videos (Producciones Ojitos, Santiago de Chile).